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Enter the BD&Comics Passion & Culturethèque Facebook Competition

Wed, 16 May 2012

How can Culturethèque's Comics section win you 2 tickets for one of the events of the BD&Comics Passion Festival?

From 24th to 27th May, the French Institute, London will host the second edition of the BD&Comics Passion Festival.

Culturethèque is giving away 2 tickets to one of the festival's events: Grzegorz Rosinski telling “All about Thorgal,” which will take place on Sunday 27 May – 2pm-3pm, at the Institute.

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BD&Comics Passion festival - 24 to 27 May 2012 - Meet Culturethèque's team in the Comic Bar of the Festival

Wed, 16 May 2012

**Fans of comic books, graphic novels and bandes dessinées rejoice: the international BD & Comics…

BD&Comics Passion festival - 24 to 27 May 2012 - Highlight on one of the workshops

Wed, 16 May 2012

**Fans of comic books, graphic novels and bandes dessinées rejoice: the international BD & Comics…

BD&Comics Passion festival - 24 to 27 May 2012 - Highlight on the Reading group

Fri, 11 May 2012

**Fans of comic books, graphic novels and bandes dessinées rejoice: the international BD & Comics…

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La Peinture couillarde

Paul Cézanne

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ISBN: 9782755503128

Date: 2006

Cézanne has always defied and opposed traditional artistic classifications. Refused from the official 'salons' of Paris , this misanthropist never willed to fit into the categories of realist, impressionist, neo-impressionist that people seemed to require of him. Cézanne challenged the painters and institutions of this era.

« Il y a deux sortes de peinture : la peinture bien couillarde, la mienne, et celle des ottres. »
Peintre inclassable, Paul Cézanne (1839-1906) est un provocateur qui a du « temmpérammennte ». Longtemps refusé aux Salons officiels, ce misanthrope s’en prend aux critiques, à ses confrères et cherche à se démarquer des courants, tant réaliste qu’impressionniste ou néo-impressionniste dans lesquels on voudrait l’enfermer. Dans ces propos choisis, surgit un Cézanne « brut de brut » qui parle avec l’accent du Midi et critique vertement la peinture et les institutions de son époque.

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